In an incredible monologue while he's driving, Aaron explains that he is now a “freelance agent.” It's at this point I start noticing that Neil is fond of using the vague words “many” and “all over the world” a lot in his writing. We see more stock footage, of satellites. Crafty.īreenius further demonstrates his powers by typing on two laptops and flip-phones at once. I like to think this is so his enemies can't detect his hacking. And break my heart forever."Īs he talks about how he's the best agent and terrorism fighter, we see him typing while wearing latex gloves. It was that power that caused them assassinate my fiancee. "The fact that I became so individually, electronically powerful scared my government, as well as others. He explains that he developed a way to control any computer or satellite the government has. And became the best agent they ever had." Modesty, Neil. "I joined my country secret strategic support branch of the defense intelligence agency, to fight terrorism around the world. Neil Brand reaches his stash of paraphernalia: two laptops, two handguns, three flip-phones, and a bunch of syringes. His delivery at first makes it sound like he says "We're getting married!" in a happy announcement. We loved each other, and were getting married!” As abruptly as it was introduced, he drops this tangent. “I met the love of my life when I was 7, and stayed with her forever. I'm now a covert agent, a mercenary, for any nation that wants to control another.”Īaron Breen proceeds to stalk across the red rocks of Nevada, mentioning: “I've always lived between this world and the other. Ominous signs of some serious Mary Sue-ing. As he explains, top of his computer science class in college, a fighter pilot, and as mentioned in a curious turn of phrase, he “won” many medals for distinctive service. But perhaps he's more expressive than he seems to be at first.Īs the tiny slats of his eyes snap open, he introduces himself in voice-over as Aaron Brand. With his tiny, perpetually slitted eyes, hawk's beak of a nose, and untamable windswept mullet, he does seem like a realtor more than a compelling hero. Neil has a very distinctive face, perhaps not really meant for film. Here we find the man himself, chilling between the rocks. I understand Breen's movies always make generous use of the Las Vegas landscape. Double Down was released in 2005, but the opening titles look very 80s, which isn't helped by the soundtrack. I wonder if I'll enjoy Breen in longform as I did in compilations, so I thought I'd record my thoughts as I sit down to watch his work.Ī warning in advance: part of this is going to be, with some partial, horrendous nudity. As far as I know, you can only get his films by buying them directly from the websites he makes for each film. I understand that he's a former real estate agent from the Las Vegas area, and his movies tend to deal with worldwide conspiracies, environmental issues, terrorism, corruption, and they usually feature either a man with godlike powers or a super-competent rogue agent hacker, always played by Breen himself. I don't know much about Breen, the man, himself. I can throw on a Samurai Cop or a Shotgun Jones for the tenth time and still enjoy myself, but The Room took me several attempts to watch, and I struggled through Troll 2. There's a very careful tipping point between unintentionally hilarious and unwatchably tedious, though.
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I'm no bad movie afficionado, but I very much enjoy watching movies where the filmmaker was clearly sincere in their attempt to make it, but maybe too stubbornly convinced of their own natural expertise to ever improve their work. Now, Fateful Findings, Pass Thru, and his most recent release, Twisted Pair. Five evocative titles: Double Down, I Am Here. This would change when I got a hold of his entire current library of movies. I've been aware of filmmaker Neil Breen for a while, through Youtube clips of bizarre acting from his movies, and breathtaking trailers, but until recently I hadn't actually sat down to watch one of his movies in full.
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